It’s the future. The remnants of humanity, in the aftermath of a cataclysmic event known only as The Fall, have fled a dying homeworld to seek refuge among the colonies of the solar system.
Twenty years later in a small pawnshop on Callisto, an android is waking up from a deep slumber. Within her, long faded memories shine to life once more.
You Were Made for Loneliness is a love story created by Tsukareta, a small team of writers and artists.
You can play the most recent version here.
You can download a copy here.
[Update: A semi-sequel to You Were Made for Loneliness can be purchased here.]
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We hope you enjoy our little game.
Trigger Warning: suicide, depression, and psychological abuse are themes explored in YWMFL.
What folks have been saying about You Were Made for Loneliness:
“You Were Made For Loneliness, you see, is definitely not for everyone, but, for those who can brave disturbing scenes in their texty Twine games, it does offer both food for thought and some great, wild prose by Tsukareta. You Were Made For Loneliness tells a sad, sweet, philosophical and deeply touching science fiction story mainly revolving around robots, artificial intelligence, love and ethics.” — Rock, Paper, Shotgun.
“You Were Made For Loneliness…a Twine narrative adventure by the Tsukareta writing collective, starts with an old lady purchasing a robotic maid from a pawn shop on Callisto, and from there weaves a tale of memory, the post-apocalypse, regret, murder, psychosis, and in its own skewed way, love. It’s a work that heavy in subject, heavy on experimentation and it’s very well done indeed. Players should be warned that the narrative deals with everything from suicide to depression and psychological abuse, making this a less-than-lighthearted tale, but one that will stay with you for a long time.” —JayisGames
“You Were Made For Loneliness is, basically, a love story. It’s a lot of love stories. The kind of love that you wish you had, or the kind you wish you still had; the love that puts the fear of god into you, or the other way around; it might be every love story. It’s small in its scope, but ambitious and rather long. It will probably take you a touch over an hour to complete. ” — Edmund Chu, Solitonic
“You Were Made For Loneliness is a lovely, interesting, sad, disturbing and hopeful game.” Mike Joffe, Video Games of the Oppressed.
Lillian Cohen-Moore (writer) is a tiny spooky wizard who writes, plays, reviews, and breaks games. She is also a writer, editor and journalist. Website: www.lilliancohenmoore.com
Cameron Cook (writer) is a writer, filmmaker, and teacher from South Carolina. He releases a new short film every other month, along with a new short story in the months between. You can find him on Twitter.
Bryant Francis (writer) is a writer and madman who was once ordered to gaze into the eye of the internet and behold its majesty. He’s never been quite the same since. Obsessed with giant robots, he has a tendency to cackle to himself while he works and was honestly a little shocked to find himself helping to write a game about love. You can read and watch more of his work here, and you can chat with him on Twitter as well.
Sidney Fussell (writer) is a writer, warlock and recovering misanthropist exploring race and identity in games. He mostly tweets about food. Mostly.
Richard Goodness (coder/writer) is a Brooklyn-based writer and musician. In addition to writing the Twines “Sam And Leo Go To The Bodega”, “The Richard Goodness Trilogy”, and “TWEEZER”, he curated the 2014 Fear of Twine Exhibition. His current project, Zest, is a management simulator. (@richardgoodness, richardgoodness.wordpress.com)
Javy Gwaltney (designer/editor/writer) devotes his time to writing about these video game things when he isn’t teaching or cobbling together a novel. You can follow the trail of pizza crumbs to his Twitter.
Jon Hamlin (writer) is a writer of words, former student of history, politics, and language, and compulsive player of video games. He writes poetry, play sketches, short fiction, and video game and cultural criticism regularly. He lives in the San Francisco Bay Area with his partner. @WordsmithJon
Kitty Horrorshow (writer) is a genderfluid birdwitch whose passions are writing, horror, curses, bones, houses, and nonphysical spaces. http://kittyhorrorshow.wordpress.com / @kittyhorrorshow / http://kittyhorrorshow.tumblr.com
Patrick Lindsey (editor) is a Boston-based game critic and occasional developer-type person. He co-hosts the Indie MEGAcast podcast and won’t shut up about DOOM or Far Cry 2. He reluctantly claims responsibility for what you’ll find on Twitter @HanFreakinSolo.
Tony Perriello (writer) Tony makes games sometimes and blogs never, you can find him at http://tonyperriello.com.
Elizabeth Simins (illustrator) is an artist & illustrator living in New York. She makes comics primarily about games, but also sometimes about other things. Her work appears regularly on Kotaku, irregularly elsewhere, and unceasingly on her twitter.
Zoya Street (writer) is a game design historian and critic. He runs ezine Memory Insufficient, co-organised Critical Proximity conference, and is the author of Dreamcast Worlds.
Kaitlin Tremblay (writer) is an editor, a writer, and a fledgling game-maker. Kaitlin makes horror games focused on feminism and mental health. She has a Master’s in English and Film, Specialization in Gender and Genre, and can be found on Twitter ranting about Godzilla.
Stephen Wilds (writer) can be found somewhere in the shade down in the dirty South, writing about video games, comics, wrestling, and he even finds time for some fiction in between tacos. His work is located at www.CultureMass.com, www.BlankManInc.com, and hidden on one hundred and one different USB drives cleverly scattered across the state of Georgia.
Nina White (writing as Ashton Raze) is a co-founder of Owl Cave Games, creators of Richard & Alice and Sepulchre. She used to work as a journalist for The Telegraph, GameSpot and others. Now she can be found writing various adventure games for Owl Cave, as well as the hugely successful universe sandbox game, Starbound. Nina is also a novelist, with 2012’s Bright Lights & Glass Houses being her first release. New books are in the works! Which is good.